{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Bj\u00f6rk \u00e0 propos de The Gate","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/bjork.fr\/Bjork-a-propos-de-The-Gate,6489","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Bjork-a-propos-de-The-Gate,6489'\u003EBj\u00f6rk \u00e0 propos de The Gate\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAlso, I used a vinyl album of Venezuelan music I had, [Hekura\u2013Yanomamo Shamanism From Southern Venezuela], that was recorded in the \u201970s—Venezuelan birds. The birds there sound completely different. They sound like R2-D2, or techno. There\u2019s one beautiful sound that ended up in the beginning of “The Gate,” a recording of these birds that Venezuelans believe are the ghosts of fetuses. If they have stillborns or young children that die, they think they go into the jungle and make these sounds. (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}