{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Bj\u00f6rk \u00e0 propos de la pochette de Utopia","author_name":"aifol","width":"480","height":"315","url":"http:\/\/bjork.fr\/Bjork-a-propos-de-la-pochette-de-Utopia","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Bjork-a-propos-de-la-pochette-de-Utopia'\u003EBj\u00f6rk \u00e0 propos de la pochette de Utopia\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EMe and James Merry started talking about it a year or so ago and I was talking about how it was kinda sci-fi \u2013 arriving on an island after some sort of apocalypse and starting anew. So like an optimistic moist rainforest mood. There would be some sort of mutation, like birds that become flutes that become synths that become human. And somehow \u2013 as in all beginnings \u2013 somehow erotically charged but not in the traditional sense : more in the energy. I wanted it to be peach and light seagreen (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}