{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Bj\u00f6rk \u00e0 propos du leak","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/bjork.fr\/Bjork-a-propos-du-leak","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Bjork-a-propos-du-leak'\u003EBj\u00f6rk \u00e0 propos du leak\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWell, the leak happened just a day after the record was mastered, so, the album was ready, you know&nbsp;? I probably would have reacted differently if it hadn\u2019t been, if the songs were half finished or the sound was off. But this just seemed right. It\u2019s been such an unusual record for me, both in terms of the subject matter, and also just how quickly I made it. I started working with Alejandro [Ghersi, Arca, Bj\u00f6rk\u2019s collaborator on \u2018Vulnicura\u2019], and all of the sudden we had a record, before we&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}