{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Entertainment Weekly","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/Entertainment-Weekly-2019","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Entertainment-Weekly-2019'\u003EEntertainment Weekly\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EHowever you would expect Bj\u00f6rk to arrive at her multi-night New York concert event Cornucopia (dragon ? Pegasus ? Uber X ?) it felt exactly right that she emerged onstage from what looked like an actual portal — swirly helixes of color that enveloped Manhattan\u2019s much-discussed new art space The Shed in a sort of oscillating three-dimensional rainbow. \n\u003Cbr class='autobr' \/\u003E\nNearly every moment of the show — part of a sold-out run set to conclude June 1 — feels like the meticulous product of her own supremely (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}