{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Eumir Deodato","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/Eumir-Deodato,2517","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Eumir-Deodato,2517'\u003EEumir Deodato\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThe work on Homogenic is actually simple. A lot of her rhythm loops are very contemporary, so before I attempted to write things on top of them I decided to write underneath, on her vocals, rather than to fight or add to the rhythm. Writing over the beat means writing a new line that\u2019s not in the song, something that will stick out-a high violin part, for instance. But when you write a melody that\u2019s already there, or chords in the low or mid range as pads, that\u2019s writing under. \n\u003Cbr class='autobr' \/\u003E\nIn some of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}