{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Kent Nagano","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/Kent-Nagano,2772","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Kent-Nagano,2772'\u003EKent Nagano\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWhen Kent Nagano convinced Bj\u00f6rk to tackle the speaking part of Arnold Schoenberg\u2019s 1912 atonal masterpiece Pierrot Lunaire, he was bridging cultural divides with customary cool. The most exciting conductor of his generation and the most idiosyncratic vocalist of hers, exploring the thorniest composer of the 20th century ? The Icelandic electro-songbird was anxious over the classical music world\u2019s perceived arrogance, but Nagano told her that Schoenberg wrote the piece because \"he\u2019d had it (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}