{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Miller Freeman Entertainment","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/Miller-Freeman-Entertainment-1997","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/Miller-Freeman-Entertainment-1997'\u003EMiller Freeman Entertainment\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E“I love my job sometimes,” cackles Bj\u00f6rk. She\u2019s explaining how, when she was touring her last album Post, she would call her engineer and suggest beats and rhythms. “Because I\u2019m not a drum programmer I\u2019d call him up and go \u2018pssht...shtsss...crsht\u2019 down the phone, and by the time I got home he had built up a library of more than 100 beats. I used those to start building a kind of mosaic.” That mosaic became part of the foundations for Homogenic, the third album from the Icelandic superstar (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}