{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"San Francisco Chronicle","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/San-Francisco-Chronicle-1995","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/San-Francisco-Chronicle-1995'\u003ESan Francisco Chronicle\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk : Post **** \n\u003Cbr class='autobr' \/\u003E\n For her second solo album on Elektra, Bj\u00f6rk—the prickly pixie queen of latter-day art-rock—continues to play genre roulette with satisfying results. \n\u003Cbr class='autobr' \/\u003E\nThe singer\u2019s efforts as a member of the fey Icelandic band the Sugarcubes were always intriguing and willfully bizarre. Although the Cubes\u2019 punky musical mischief was a tonic in the self-important, pregrunge atmosphere of late \u201980s alternative rock, Bj\u00f6rk truly came into her own with her 1993 album, “Debut,” recorded after (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}