{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Australian","author_name":"aifol","width":"480","height":"315","url":"http:\/\/bjork.fr\/The-Australian-interview-05-2016","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/The-Australian-interview-05-2016'\u003EThe Australian\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EA pixie voice tiptoes down the line — breathless, singsong, studded with r\u2019s rolled so extravagantly they stretch words into strange and \u00adbaroque shapes. Who else could it belong to but Bjork, the Icelandic high priestess of art pop ? \n\u003Cbr class='autobr' \/\u003E\nIt\u2019s evening in New York and the singer, 50, is busy marshalling directors Warren Du Preez and Nick Thornton Jones and the rest of the creative crew working on her new virtual reality work, Notget, based on the single from her award-winning “heartbreak” album (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}