{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Telegraph","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/bjork.fr\/The-Telegraph-Volta-Review","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/The-Telegraph-Volta-Review'\u003EThe Telegraph\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk has always made wildly elemental music. Inspired by the dramatic landscapes of her native Iceland, she has combined igneous beats with grand, sea-swollen melodies. \n\u003Cbr class='autobr' \/\u003E\n Vocally and lyrically she often presents herself as a castaway - an isolated human on a strange shore shouting out across the waves in volcanic bursts of anger and exhilaration, and then creeping into a cave to comfort herself with childlike lullabies. \n\u003Cbr class='autobr' \/\u003E\nHer last album, 2004\u2019s Medulla, saw her sub-aquatic. On songs such (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}