{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"This is London.co.uk","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/bjork.fr\/This-is-London","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/This-is-London'\u003EThis is London.co.uk\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EVolta (One Little Indian) \n\u003Cbr class='autobr' \/\u003E\nIt starts promisingly. With squelchy marching feet (vaguely reminiscent of the intro to Sex Pistols\u2019 Holidays In The Sun) and a swooping melody, Earth Intruders opens Bj\u00f6rk\u2019s 11th album on a wave of pop optimism (poptimism ?). \n\u003Cbr class='autobr' \/\u003E\nBj\u00f6rk, according to critical consensus, has long abandoned the highways of pop in favour of the wastelands of the avant garde. True, her last album, Medulla was constructed almost entirely from human voices with little in the way of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}