{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"arrangements for concerts","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/arrangements-for-concerts","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/arrangements-for-concerts'\u003Earrangements for concerts\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWhen you\u2019ve got the song finished in the studio and you\u2019re going to perform it in concert, isn\u2019t the idea to approach the studio arrangement as perfectly as you can ? Do you back to square one, when you you wrote the song, and you look at new points of departure from there to preserve the original one ? \n\u003Cbr class='autobr' \/\u003E\nThat way of thinking came from spending so much time in bands. There are several ways of doing it. A band\u2019s a band of course. A good band is based on good original material, but a band\u2019s (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}