{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"being a producer","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/being-a-producer","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/being-a-producer'\u003Ebeing a producer\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIn your role producing, what tools, methods, or processes did you learn from your work with electronic producers such as Mark Bell and Graham Massey ? How does that contrast from working with producers who have more experience in non-electronic music ?  \n\u003Cbr class='autobr' \/\u003E\nWhat a great question ! I thought i would never be asked that ! It is very different . The word production in electronic music seems to span way too big range . Where in normal bands you have a bass player , a drummer , a guitarist , a (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}