{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"chron","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/bjork.fr\/bjork-digital-chron","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/bjork-digital-chron'\u003Echron\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EFor a music festival that aims to be something different, Day for Night hosting the U.S. debut of Bj\u00f6rk Digital fits the mission. It is, however, a lot to ask of a music festival audience. \n\u003Cbr class='autobr' \/\u003E\nThe entire virtual reality portion takes 80 minutes, and only groups of 25 are admitted at a time. For those who didn\u2019t get to register for an assigned time, of which there are many according to comments on the festival\u2019s social media accounts, the wait alone was restrictive. Katheryn Mitchell was in (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}