{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"interviews","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/interviews,2959","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/interviews,2959'\u003Einterviews\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EI\u2019ve never felt all that comfortable giving interviews, and it\u2019s something I still have a major problem with. I can see the \n\u003Cbr class='autobr' \/\u003E\nnecessity of it - it\u2019s important that people know when you have \n\u003Cbr class='autobr' \/\u003E\nsomething new happening - but there is so much unnecessary nonsense that \n\u003Cbr class='autobr' \/\u003E\ngoes on around it to. How do you describe a piece of music&nbsp;? And if you \n\u003Cbr class='autobr' \/\u003E\ncould, should you&nbsp;? Wouldn\u2019t that take away the magic of it&nbsp;? \n\u003Cbr class='autobr' \/\u003E\nWe all have our own ways of interpreting what we hear, and the same \n\u003Cbr class='autobr' \/\u003E\npiece of music can&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}