{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"making a concert intimate","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/making-a-concert-intimate","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/making-a-concert-intimate'\u003Emaking a concert intimate\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEmotionally, I should have just a few musicians and invite one listener at the time into the room because it\u2019s so personal. \n\u003Cbr class='autobr' \/\u003E\nWhen I\u2019m playing small rooms for 200 people, it\u2019s actually very liberating, because that\u2019s how I learned to sing. I used to walk around to school, back as a child, and I would sing at the top of my lungs. In venues with 3,000 people, I did try to sing acoustically, but it wasn\u2019t even brave. It was foolhardy. It\u2019s just not possible. \n\u003Cbr class='autobr' \/\u003E\nIt\u2019s such a contradiction in a&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}