{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"making the rythyms","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/making-the-rythyms","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/making-the-rythyms'\u003Emaking the rythyms\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EI started doing upbeat stuff [on computers], but it wasn\u2019t until the end when I managed to make a family out of all the beats, unify them. Then I asked Chris Corsano and Brian Chippendale to play [drums]. They spent a day each improvising on all of the tracks, and I then spent a month editing and looping [parts] into the final stage. We used most of the beats. The ones we threw away were the white noise, static. ... They sounded too pretentious for this album. The beats weren\u2019t meant to be&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}