{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Australian","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/bjork.fr\/the-australian-bjork-digital-open-06-2016","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/the-australian-bjork-digital-open-06-2016'\u003EThe Australian\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EShe\u2019s been voted one of the 100 greatest singers by Rolling Stone magazine, is considered by some music critics as one of the last true boundary-breakers after the passing of Prince and Bowie, and has long been celebrated as the ruling queen of artpop. \n\u003Cbr class='autobr' \/\u003E\nAt Carriageworks in Sydney yesterday, however, Icelandic singer-songwriter Bjork was waxing lyrical about her new virtual reality creations rather than her stellar music career as workers scurried around the space in the lead-up to the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}