{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"the production of vespertine","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/the-production-of-vespertine","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/the-production-of-vespertine'\u003Ethe production of vespertine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003Ei guess the first stage is i decided what the instrumentation was going to be , \n\u003Cbr class='autobr' \/\u003E\nthen i did about 80% of the beats with the help of programmers ( which means you bring noises or describe what kind of noises you want and then place them maticulously , sound by sound , in the places you want them to be in .) song structure decisions . \n\u003Cbr class='autobr' \/\u003E\nthen i did the harp arrangements that zeena played adding her own arrangements in the songs where it is credited \n\u003Cbr class='autobr' \/\u003E\nthen i did scetches of string arrangements (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}