{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"theage.com.au","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/bjork.fr\/theage-com-au","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/theage-com-au'\u003Etheage.com.au\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAn enduring pop and enigmatic phenomenon, Bjork delights in self-parody. Bernard Zuel talks with her ahead of her Melbourne show. \n\u003Cbr class='autobr' \/\u003E\n SOME DAY SOMEONE WILL sit down and explain just how, despite all the evidence to the contrary, Bjork Gudmundsdottir is considered close enough to the centre of popular culture to actually be a headline act at both the Sydney Festival and the Big Day Out. \n\u003Cbr class='autobr' \/\u003E\nSure, she gets by with just a single name but she doesn\u2019t make pop records. Not like a Kylie, Madonna or (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}