{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"trying to focus on percussion","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/trying-to-focus-on-percussion","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/trying-to-focus-on-percussion'\u003Etrying to focus on percussion\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EI guess it was really different from how I usually work. Because at least with Homogenic, Vespertine, and Medulla, if there was a starting point, it was rhythms. I don\u2019t know why, maybe because it\u2019s the thing that I don\u2019t do. With Homogenic, I would start with a programmer, just to do distorted rock beats. And we did, I think, 100 just one bar things. And by the time I had written enough songs, I would just sit down, and then I could just sort of call it, \u2019okay, for the chorus of this song, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}