{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"using voices","author_name":"","width":"480","height":"315","url":"http:\/\/bjork.fr\/using-voices","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/bjork.fr\/using-voices'\u003Eusing voices\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWhat inspired you to use the timbres and textures of the human voice as the main instrument ? \n\u003Cbr class='autobr' \/\u003E\nIt wasn\u2019t planned. With Vespertine and some of my earlier albums I set myself certain goals and objectives, but with this album the only plan was to do what I wanted and have total freedom. I started laying down some beats and melodies with Matmos, but for some reason they just sounded flat and one dimensional. It wasn\u2019t until I stripped the songs down to the raw vocals that I realised they worked (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}