{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Antarctic Return","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Antarctic-Return,3044","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Antarctic-Return,3044'\u003EAntarctic Return\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EDid you study this instrument to write for it&nbsp;? \n\u003Cbr class='autobr' \/\u003E\nI did, you know, just what you do, you go on Google and you just order all the CDs you can find in the world, which actually aren\u2019t that many. And I found out very quickly that the person that was almost on her own reviving that instrument - it almost wasn\u2019t being used anymore - it\u2019s a Japanese woman who\u2019s sort of my age, called Mayumi Miyata. \n\u003Cbr class='autobr' \/\u003E\nIt was tricky because when I sat down and it was of course, \"Okay, now I\u2019m doing a Japanese film&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}