{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Billboard","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/Billboard-Volta-Review-07-05-2007","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Billboard-Volta-Review-07-05-2007'\u003EBillboard\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ELike Tori Amos, PJ Harvey, Kim Gordon and all the other alt-whatever chicks from the mid-\u201990s freak sorority, Bj\u00f6rk has no heir. \n\u003Cbr class='autobr' \/\u003E\n If she started out in today\u2019s homogenized climate, the Icelandic vocal acrobat might get lost in the shuffle amid the flavors of the month. But that\u2019s why all her material matters, including an uneven collection like Volta. The follow-up to 2004\u2019s experimental Med\u00falla and 2001\u2019s exquisite Vespertine has the usual complex drums (aided on some tracks by none other (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}