{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Crack Magazine","author_name":"aifol","width":"480","height":"315","url":"https:\/\/bjork.fr\/Crack-Magazine-Eventim-Apollo-Review","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Crack-Magazine-Eventim-Apollo-Review'\u003ECrack Magazine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThere are risks in performing particularly tender or minimal music to thousands of people on a Saturday night. Attention spans waver, drunken bar orders are overheard and the sight of so many iPhone screens can be disenchanting. \n\u003Cbr class='autobr' \/\u003E\nBut if anyone can captivate an inevitably drunken crowd, it\u2019s Bj\u00f6rk, who manages to make the vast majority of the audience at her second sold-out London show of the week commit to awe-struck silence. It\u2019s evidently a crowd of attentive superfans \u2013 one audience (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}