{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Creative Review","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/Creative-Review","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Creative-Review'\u003ECreative Review\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk and visual artist Jesse Kanda talk us through the making of the striking cover art for Utopia \n\u003Cbr class='autobr' \/\u003E\n The cover for Bj\u00f6rk\u2019s latest album is both gorgeous and frightening. It\u2019s the kind of image that leaps out at you from a screen and remains etched on your brain. The Icelandic artist resembles some kind of otherworldly goddess with an elaborate silicone mask, blowholes in her throat and a flute in one hand. There\u2019s a softness to it \u2013 from the newborn bird resting by her collarbone to the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}