{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"DAZED","author_name":"pierro","width":"480","height":"315","url":"https:\/\/bjork.fr\/DAZED,7871","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/DAZED,7871'\u003EDAZED\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBetween hosting a new exhibition at the National Gallery of Iceland and building her long-awaited 11th studio album, Bj\u00f6rk calls in to dispel a misconception about her work \n\u003Cbr class='autobr' \/\u003E\n “Sorry, I\u2019m on a tangent now, the coffee is kicking in,” says Bj\u00f6rk, calling in from a cabin in the Icelandic countryside. In fact, she is about three tangents and ten minutes away from my original \u2013 and, for that matter, first \u2013 question. Her words arrive like wind on a cliff-face, rapidly picking up speed and (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}