{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Gratitude","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Gratitude,2931","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Gratitude,2931'\u003EGratitude\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWhen Matthew came with the script it was obvious that, because he\u2019s been commissioned to do a piece for Japan, he had to sort of start with the most sensitive subject, obviously the Hiroshima and Nagasaki bombing. \n\u003Cbr class='autobr' \/\u003E\n I guess his angle on it, being Matthew, was just a bit sort of not obvious and multi-layered, as usually, and so what he did was - I don\u2019t know if you know this story, it\u2019s a long story - at that time general MacArthur was the general in Japan for the US, and when he saw the&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}