{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"LA Times","author_name":"benjicok","width":"480","height":"315","url":"https:\/\/bjork.fr\/LA-Times","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/LA-Times'\u003ELA Times\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThe sound is uniquely hers, but impressive as it is, it may have lost the ability to surprise. \n\u003Cbr class='autobr' \/\u003E\n On her new album, Icelandic singer-composer-producer-sound-fetishist Bj\u00f6rk moves deeper into the sonic abyss of her own creation, a so-called secret place that with each passing release seems to crystallize her aesthetic even further. An hourlong work that twinkles and shimmers, “Biophilia,” her seventh release, continues to explore a universe she\u2019s built from scratch. \n\u003Cbr class='autobr' \/\u003E\nIf you\u2019re even vaguely (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}