{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Matmos","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Matmos,3317","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Matmos,3317'\u003EMatmos\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EI think I had already written about 80% of Vespertine and had done the beats and the skeleton with programmers. Because it was the first time I did microbeats, I felt that some of them were a little bit wooden and that I needed somebody who was a bit of a virtuoso in the field. So, I had been in touch with Matmos, they had already done remixes for me and we had met and had gotten drunk together, so I called them up and I asked them (as I had almost finished Vespertine) if they would be up (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}