{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"NME","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/NME-22-04-1995","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/NME-22-04-1995'\u003ENME\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ETwo years ago, \u2019Debut\u2019 took Bj\u00f6rk from indie pixie to wine bar acceptance one easy swoop. But it has affected her little in spite of collaborations with Madonna, and being able to pull in anyone she likes to produce and remix, like Tricky, Graham Massey or, erm, Skunk Anansie. Roger Morton travels to the deepest New Forest and avoids the elf jokes. Pictures : Steve Double \n\u003Cbr class='autobr' \/\u003E\n\"I\u2019m going to prove the impossible really exists\" - \u2019Cover Me\u2019, Bj\u00f6rk \n\u003Cbr class='autobr' \/\u003E\nBj\u00f6rk is laughing. In the oak-panelled lobby of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}