{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"NME","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/NME-Vulnicura-review","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/NME-Vulnicura-review'\u003ENME\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIt\u2019s not an easy listen, but a brave, beautiful and affecting album. \n\u003Cbr class='autobr' \/\u003E\n Bj\u00f6rk\u2019s last album, 2011\u2019s \u2018Biophilia\u2019, was a multimedia project examining the connections between nature, sound and technology \u2013 or “the universe”, as she succinctly put it. It became known as an “app” album and it wasn\u2019t a gimmick. It made a powerful (and fun) statement about how the 49-year-old\u2019s home country, Iceland, could be run after the financial crisis, instantly making almost everyone else operating in the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}