{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Variety","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/Peter-Strickland-on-Making-the","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Peter-Strickland-on-Making-the'\u003EVariety\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThe British writer-director discusses his first concert film following its European premiere in Karlovy Vary \n\u003Cbr class='autobr' \/\u003E\n British writer-director Peter Strickland\u2019s 2012 feature “Berberian Sound Studio” may have been a surreal exploration of sonic artistry, but he\u2019s still not the first person one might expect to see at the helm of a Bjork concert film. It\u2019s a counter-intuitive choice, however, that pays off in “Bjork : Biophilia Live,” a visually idiosyncratic recording of the Icelandic maverick\u2019s (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}