{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Rolling Stone n°772","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Rolling-Stone-752-1997","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Rolling-Stone-752-1997'\u003ERolling Stone n°772\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWith “Telegram,” edgy Icelandic woman-child Bj\u00f6rk continues to push the post-rock envelope. Her new album consists mostly of remixed versions of songs from her second solo LP, Post. But unlike many remix albums, Telegram is no slapdash effort : Bj\u00f6rk recorded new vocals for many of the songs and collaborated with a well-chosen array of artists from the avant-garde and electronic worlds. \n\u003Cbr class='autobr' \/\u003E\nThe best idea here was to rerecord the beautifully naked love song “Hyperballad” with neochambermusic (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}