{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"rollingstone.com","author_name":"benjicok","width":"480","height":"315","url":"https:\/\/bjork.fr\/Rolling-Stone-Com-6-fevrier","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Rolling-Stone-Com-6-fevrier'\u003Erollingstone.com\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\"Are you enjoying Queens ?\" Bj\u00f6rk asked with an exultant squeal during the February 3rd opening of her Biophilia residency at the New York Hall of Science in Flushing Meadows. It was a peculiar question during a performance set in an alternate universe of music, technology and primordial emotions, in a room that looked nothing like the neighborhood outside. The museum\u2019s Great Hall is an eerie windowless space with a cathedral-high ceiling and irregularly curved walls that suggest convulsive (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}