{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Rolling Stone","author_name":"benjicok","width":"480","height":"315","url":"https:\/\/bjork.fr\/Rolling-Stone-Review-Concert-Harpa","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Rolling-Stone-Review-Concert-Harpa'\u003ERolling Stone\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\"Craving miracles,\" Bj\u00f6rk sang, enunciating each syllable like an eager child, in \"Thunderbolt,\" the first song of her remarkable opening-night show at the concert hall Harpa in Reykjav\u00edk, Iceland last night. Then, surrounded by 24 female singers in shimmering gold and blue robes and an armory of invented instruments such as the gameleste \u2013 a hybrid of a celeste and an Indonesian gamelan \u2013 and a custom-built pipe organ that seemed to play itself (thanks to a digital interface with an iPad), (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}