{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Storm","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Storm,3130","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Storm,3130'\u003EStorm\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThe original performances were a pretty analog experience, but I worked on this a lot in Pro Tools. Whatever Leila was doing had also leaked into my microphone, so you had to basically do crossfades to blend the vocal and effects. I think there are ten edits in it, using maybe six or seven concerts. We could have gone back into the studio and recorded it again, but I wanted that live, urgent feeling, because the majority of the movie is very subdued. I thought the mood needed that kind of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}