{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Telegraph Magazine","author_name":"aifol","width":"480","height":"315","url":"https:\/\/bjork.fr\/Telegraph-Magazine","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Telegraph-Magazine'\u003ETelegraph Magazine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ENaomi West interviews the Icelandic singer, explorer of sonic soundscapes and icon of \u2019bjonkers\u2019 fashion \n\u003Cbr class='autobr' \/\u003E\n At first there is nothing at the end of Bj\u00f6rk\u2019s telephone line but a fearsome crackling. Next try reaches the far-distant voice of a female operator, and more dialling attempts yield only a series of high-pitched beeps and squeals. Then between the noises, just as you start to give up hope of hearing another human, there comes a small, unmistakable &#171;&nbsp;Hello&nbsp;&#187;. \n\u003Cbr class='autobr' \/\u003E\nSuch a cacophony might&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}