{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Daily Telegraph (AU)","author_name":"aifol","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Daily-Telegraph-2016","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Daily-Telegraph-2016'\u003EThe Daily Telegraph (AU)\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIT\u2019S hard to know, when placing a call to her New York home, which Bj\u00f6rk will answer. The whimsical pop pixie&nbsp;? The tigress mother&nbsp;? The patient, puzzled anatomist of a dead relationship&nbsp;? The composer, 50, has been each persona and more, crafting a David Bowie-like character for each album that\u2019s expressed in its artwork and videos. \n\u003Cbr class='autobr' \/\u003E\nBj\u00f6rk has always been almost as much a visual artist as a musical one, as her upcoming Carriageworks exhibition, Bj\u00f6rk Digital (part of Vivid Sydney), can&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}