{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Fader","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Fader-Kadry-Parnell-Salogni","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Fader-Kadry-Parnell-Salogni'\u003EThe Fader\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EHeba Kadry, Marta Salogni, and Mandy Parnell discuss the radical joy of working with Bj\u00f6rk. \n\u003Cbr class='autobr' \/\u003E\n “I received a call one morning in July from Derek Birkett,” mixer and producer Marta Salogni told me over Skype from her studio in London. Birkett, the founder of Bj\u00f6rk\u2019s record label One Little Indian Records, wanted to know if she would be down to do two mixes, one of which was “The Gate.” \n\u003Cbr class='autobr' \/\u003E\n“Obviously I said yes,” Marta remembered. Obviously. \n\u003Cbr class='autobr' \/\u003E\nWe were also on the call with Heba Kadry — a (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}