{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Independent","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Independent-04-09-2013","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Independent-04-09-2013'\u003EThe Independent\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\u2605\u2605\u2605\u2605\u2606 \n\u003Cbr class='autobr' \/\u003E\n On the top of a hill, far, far into north London, sits Alexandra Palace. Built as a temple to public education and entertainment, it became the first BBC Television headquarters. It\u2019s the perfect venue for Bj\u00f6rk\u2019s last live performance of Biophilia, the 2011 album at the centre of a ground-breaking multimedia concept of apps, installations and live performances. \n\u003Cbr class='autobr' \/\u003E\nRuminating on the relationship between nature, music, and technology, the stage is set with pendulums swinging to the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}