{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The New York Times","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-New-York-Times,1171","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-New-York-Times,1171'\u003EThe New York Times\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ENever underestimate the inspired perversity of artists. Consider a central paradox of 21st-century pop : at a time when musicians can instantly summon an infinitude of sounds, easily tune them into any melodic contour and digitally layer as many tracks as they want, austerity rules instead. Maybe it\u2019s a premonition of making do with less in some coming era of scarcity ; maybe it\u2019s an instinctive withdrawal, or a vacation, from too much information. But from Top 10 hits built on little more (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}