{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The New Yorker ","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-New-Yorker-Bjork-s-Visions-of-an-Enchanted-Future","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-New-Yorker-Bjork-s-Visions-of-an-Enchanted-Future'\u003EThe New Yorker \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E“Utopia,” her new album, suggests that each of us can make the world in which we want to live. \n\u003Cbr class='autobr' \/\u003E\n One day, I realized, to my surprise, that Bj\u00f6rk was a normal person who did everyday things. Few pop musicians have seemed so futuristic and so weird for as long as she has. Since the early nineteen-nineties, the Icelandic artist has charted extremes—of ecstasy and intimacy, creativity and destruction—always attuned to the possibilities emerging from dance music\u2019s experimental communities. (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}