{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Onion — AV Club","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Onion-A-V-Club-Vespertine-2002","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Onion-A-V-Club-Vespertine-2002'\u003EThe Onion — AV Club\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk must have one of the least predictable success stories in popular music. Following Icelandic child  stardom and a tenure as the remarkably gifted singer of the fast-to-fade Sugarcubes, she came into her  own following the release of 1993\u2019s Debut, an often sublime mixture of techno and pop held together by  Bj\u00f6rk\u2019s instantly recognizable, though elusive, persona. As each subsequent effort (the ebullient Post, the  dense but rewarding Homogenic) pushed her music further toward the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}