{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Wire","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Wire,4449","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Wire,4449'\u003EThe Wire\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAs Bj\u00f6rk has become steadily more interesting as a musician, she has become less compelling as a vocal performer. The poetry of the songs and the theatre of her presentation have receded as her musical conception has become more sophisticated. These four CDs are basically concert renditions of her four albums : the innocently confident Debut, the more assured Post (which she considers as a \u2018before and after\u2019 pair), the sumptuous, mournful Homogenic and then Vespertine. Inevitably, favourite (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}