{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Wire","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/The-Wire,4450","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/The-Wire,4450'\u003EThe Wire\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EGiven the attention lavished recently on Bj\u00f6rk\u2019s back catalogue, you might think she has been fixing her eyes more on the past than the future. But Med\u00falla, her first album since 2001\u2019s Vespertine, is possibly the most daring record she\u2019s ever made, opting for a far starker and more strident sound than its predecessor. \n\u003Cbr class='autobr' \/\u003E\nThe opening “Pleasure Is All Mine” establishes Med\u00falla\u2019s credentials — densely atmospheric, slightly hard to read. A keening vocal ululation rises with eerie intensity, its (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}