{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Vogue","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/Vogue-sept-2000","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Vogue-sept-2000'\u003EVogue\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWith a potent performance in the Lars von Trier musical Dancer in the Dark, pop diva Bj\u00f6rk launched — and, it seems, promptly halted — a career on the big screen. The experience, Jonathan Van Meter finds, was anything but the same old song and dance. Photographs by Steven Klein. \n\u003Cbr class='autobr' \/\u003E\n One morning last year, toward the end of filming on Dancing in the Dark, the Lars von Trier musical that won the Golden Palm at Cannes in May, Bj\u00f6rk approached her much more experienced costar (and new friend) (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}