{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Wall Street Journal","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/Wall-Street-Journal,5894","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Wall-Street-Journal,5894'\u003EWall Street Journal\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAfter her devastating breakup album, Bj\u00f6rk returns with a new collection that shows she\u2019s moved on to rediscover and savor joy. \n\u003Cbr class='autobr' \/\u003E\n Indisputably among the greatest in rock-and-pop history, Bj\u00f6rk\u2019s body of work is defined by seemingly dichotomous traits : It can be enigmatic, as if she is shielding herself behind complexity and disregard for orthodoxy, while at the same time transparent, emotional and deeply affecting. So it is once again with “Utopia” (One Little Indian), her new, exquisite (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}