{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Wired","author_name":"aifol","width":"480","height":"315","url":"https:\/\/bjork.fr\/Wired","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/Wired'\u003EWired\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EMusicians sound off on their fave tech toys and the future of music. \n\u003Cbr class='autobr' \/\u003E\n On my last album, Vespertine, I became obsessed with my laptop and my laptop speakers&nbsp;: I was trying to make a bubble you could exist in, a paradise. \n\u003Cbr class='autobr' \/\u003E\nFor the string and music-box arrangements, I used a classical program called Sibelius, where you have all the instruments of a big orchestra in a laptop. You get a picture of sheet music and a mouse that operates as a pencil, so you write it out and press Play, then print&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}