{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"XFM","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/bjork.fr\/XFM","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/XFM'\u003EXFM\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWhile it\u2019s perhaps unfair to draw a parallel between Bj\u00f6rk\u2019s dippy pixie act and the faux-retards in \u2018The Idiots\u2019, it\u2019s obvious that she and Dogma god Lars von Trier are kindred spirits. Both have rewritten the rules of their chosen medium over the past decade to both acclaim and indignation, both have crafted some of the most unsettlingly brilliant works of recent years. In this, the soundtrack to their cinematic collaboration \u2018Dancer In The Dark\u2019, Bj\u00f6rk has allowed her innate theatricality (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}